3. Initial 12 Landscape
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Low tide around Mont Saint-Michel reveals an enormous canvas for sandpainting. Many shapes, lines and colors are exposed by the withdrawing waters. Shot at Mont Saint-Michel, Normandy France on June 3, 2010 ©John Schiller Photography
The setting sun ignites the darkening clouds over the marsh along the Shining Sea Bikeway. Storm coming? Shot in Falmouth MA on 7/28/15. © John Schiller Photography
Farmer plowing his field as sunset approaches
Close to the Sieur de Monts Nature Center, the Jesup Trail leads you through a soft meadow of white birches. Shot on June 20, 2017 © John Schiller Photography
The storm was closing in as we weaved through the mountain pass from Taos to Santa Fe. Everywhere was dark, and becoming darker. The road settled down as we approached the lone tree and it's personal mailbox. Wiithout warning, the sky cracked open - just enough to allow the intense rays of the sun to burst through and paint the side of the tree and surrounding land in a near-blinding light. We stopped. Every branch, and every inch of the tree that was bathed in the sun's harsh glare lit up white. Moments later, it was dark again. October 6, on St Route 68 along the Rio Grande between Taos and Santa Fe, NM. © John Schiller Photography
After a mixed day of rain and sun, two Pittsburgh residents were graced with late day sky painting from the Schenley Overlook. Shot on October 6, 2018, in Pittsburgh, PA © John Schiller Photography
Fallow land surrounds remnants of corn season, as autumn descends western Penssylvania farmland. Shot on 10/5/19 in Somerset, PA ©John Schiller Photography
Late day sun kisses the edge of a crack overlooking Horseshow Bend, Page, AZ 2/23/20 ©John Schiller Photography